- Division of the World
- Breath: New Installation in the Psychology Department, PD Hahn Building
- Extraordinary Lives
- Lunchtime lecture by Nora Kennedy
- Lectures by Professor Anthony Bogues
- Photo conservation workshop with Nora Kennedy and Peter Mustardo
- Spring Queen
- Imperfect librarian
- Lecture by Mary Burton
- Lecture by Benny Gool
- Context
- Artist in residence: Mark Dion
- Threshold
- The courage of ||kabbo and a century of Specimens
- Landscape to literature exhibition
- The story-telling project
- Aesthetic toleration, by Professor Stephen Greenblatt
- Made in translation
- Subtle thresholds
- Soccer kultcha
- Taking pictures, telling stories
- Lamb of God and Book of iterations
- Homage
- Legacies of the landscape
- Rodney Barnett: a life's work
- Cecil Skotnes: a private view
- Unconquerable spirit : George Stow and the landscapes of the San
- The digital Bleek and Lloyd
- Claim to the country: the archive of Lucy Lloyd and Wilhelm Bleek
- Double vision
- Curiosity CLXXV
- Lexicons and labyrinths: iconography of the genome
- Working proof
- A story is the wind
- Heaven's things: a story of the |xam
- What's bred in the stone
- On the surface
- White wagons
- Sound from the thinking strings
- Mordant methods
- 18 Prints
- Miscast archive
Double vision - Pippa Skotnes & Malcolm Payne, 2006
This installation comprises a bank of 110 cases and was curated as the final display in the rock art museum at the Origins Centre at Wits University. The installation seeks to provide an historical contextualization of some of the issues raised by the museum and to contrast an adjacent exhibit by Willem Boshoff (which deals with the naming of groups, often imposed) by naming individuals whose lives and ideas have assisted in the interpretation of southern African rock art. It also provides a visual interpretation of the idea, articulated in |xam in the South African motto "People who are different come together".
